- #Simon says stamps flurry skin#
- #Simon says stamps flurry full#
- #Simon says stamps flurry series#
- #Simon says stamps flurry tv#
#Simon says stamps flurry tv#
What we said: An emotional rollercoaster of a TV drama about Bethan, a Welsh teenager coming of age and living a double life as she negotiates mental illness, friendships and her sexuality.
#Simon says stamps flurry series#
But it is a series of huge emotional heft, and an extraordinary achievement by writer Kayleigh Llewellyn, who surely has huge things ahead of her.
#Simon says stamps flurry skin#
(BBC Three) On paper, In My Skin sounds so relentlessly bleak – a key scene involves a teenage girl seeing her father masturbate – that you’d wonder why anyone would ever want to watch it. Photograph: Huw John/BBC/Expectation Entertainment Ltd 45 In My SkinĮmotional heft … Gabrielle Creevy as Bethan, with Jo Hartley as her mum, in In My Skin. His family want to eat adventurous meals, while he would like to stick with steak. What we said: Hollander is superb as a man baffled by the need for change.
#Simon says stamps flurry full#
A show about Tom Hollander struggling to cope with negative emotions is always welcome, but in 2020 it turns out that a gorgeously sad travelogue, full of places we can no longer visit, was exactly what everyone needed. (BBC One) An adaptation of David Nicholls’ 2014 novel, Us was a snapshot of a failing marriage, told across a grand tour of Europe. What we said: Such moments lift Save Me Too beyond your typical mystery, and give it far more emotional depth than most of its rivals. Thanks in part to an incredible cast, including James, Stephen Graham, Lesley Manville and Adrian Edmondson – it more than matched the power of its predecessor. Given its slightly underpowered finale, a sequel was inevitable. (Sky Atlantic) Lennie James’ Save Me was one of the surprise hits of 2018 a taut, gut-wrenching examination of what happens in the space left by a missing child. 47 Save Me TooĮmotional depth … Lennie James in Save Me Too. We are privileged to be able to hear their stories. What we said: This is shamefully recent history, recent enough for some of those who lived through it to still be alive. The documentary was as stark as you’d expect, as people recounted their horrific experiences for what may very well be the last time – and it is impossible to forget. (BBC Two) An almost unbearably powerful and painful hour of television, this collection of interviews with the survivors of the Bergen-Belsen concentration camp was hard to watch. What we said: It is a great story, made even greater because there is no harrowing suffering, no death and no catastrophic miscarriage of justice shown to be the result of systemic corruption that is featured in much of this genre.
The ebullient FBI agent Doug Mathews was central to the show’s success, and possibly the best TV character of the entire year. Instead, this was a breathless retelling of the McDonald’s Monopoly scam that defrauded the fast food monolith of millions of dollars. (Sky Documentaries) An absolute rarity: a true crime documentary that doesn’t make the viewer feel grubbily complicit. What we said: Instead of hysteria and frantic Drama-with-a-capital-D in the face of an unknown contagion, it shows the disbelief giving way to hard acceptance, the sense of ordinary life suddenly intruded upon and a new normal mandated. Though based on the lives of ordinary people, such as Anne-Marie Duff’s Wiltshire council worker Tracy Daszkiewicz, the circumstances were anything but. No, not Covid, but the poisoning of the Skripal family – among other victims – in Salisbury, which was dramatised in this fine three-part drama. (BBC One) A shocking health crisis that startled Britain and called for urgent intervention from the authorities.
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